I never could. . What was the name on those marriage lines you showed me?’ ‘M—Melusine,’ stammered the woman, her countenance yet registering shock. That’s one thing clear. You tonic my liver and you tonic my soul. He's a nice boy, a good student. Paris looms behind—a tragedy of strange recollections—here she emerges Phœnix-like, subtly developed, a flawless woman, beautiful, self-reliant, witty, a woman with the strange gift of making all others beside her seem plain or vulgar. For the rest, she derived her ideas of the married state from the observed behavior of married women, which impressed her in Morningside Park as being tied and dull and inelastic in comparison with the life of the young, and from a remarkably various reading among books.
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