A hansom stopped a little way off. He carried her into his bedroom as she unfastened the tiny white buttons of his shirt. “It’s not for us to supplicate any more. ‘But with more courage in her little finger than in many another female’s entire body. I don't know; I really don't know," she found herself repeating. “I’ve plenty of pals,” he said, “who, when they’ve been doing Paris on the Q. But, Gerald, do you believe there is a secret passage indeed?’ ‘Well, we covered every inch of the house and grounds, and I swear she never left that room by way of the door. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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