Opposite the gallows was an open gallery, or scaffolding, like the stand at a racecourse, which, on state occasions, was crowded with spectators. But that still left the forty pounds!. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. She was aware of people—her aunt, her father, her fellow-students, friends, and neighbors— moving about outside this glowing secret, very much as an actor is aware of the dim audience beyond the barrier of the footlights. Wood now re-appeared with a very red face; and, followed by Winifred, took her seat at the table. Annabel looked up and down the empty street, and then turned to her sister. A black-garbed figure crept forward, noiselessly, towards Gosse’s back. "Who took it thence?" "Thames Darrell; the boy at your side. Her eyes were dilated— fixed in a horrified stare at the parting in the curtains which hung before the window. They walked back to 118 hand in hand.
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