All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. ‘How did you get in? The house is all locked up. ’ ‘Useful certainly. She had learned this art in skirts, and knew well how not to be disadvantaged. ’ ‘I am afraid that there is,’ Gerald told her evenly. .
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